Chapter Index

× Proem 1. Which Tells When the Fleet Sailed, and of the Officers and People Who Went with It 2. How the Governor Came to the Port of Xagua and Brought a Pilot with Him 3. How We Arrived in Florida 4. How We Entered the Land 5. How the Governor Left the Ships 6. How We Entered Apalachee 7. What the Land is Like 8. How We Left Aute 9. How We Left the Bay of Horses 10. Of Our Skirmish with the Indians 11. What Happened to Lope de Oviedo with Some Indians 12. How the Indians Brought Us Food 13. How We Found Out about Other Christians 14. How Four Christians Departed 15. What Happened to Us in the Village of Misfortune 16. How Some Christians Left the Isle of Misfortune 17. How the Indians Came and Brought Andrés Dorantes and Castillo and Estebanico 18. How He Told Esquivel's Story 19. How the Indians Left Us 20. How We Escaped 21. How We Cured Some Sick People 22. How They Brought Other Sick People to Us the Following Day 23. How We Left after Having Eaten the Dogs 24. About the Customs of the Indians of That Land 25. How the Indians Are Skilled with a Weapon 26. About the Peoples and Languages 27. How We Moved On and Were Welcomed 28. About Another New Custom 29. How They Stole from One Another 30. How the Custom of Welcoming Us Changed 31. How We Followed the Corn Route 32. How They Gave Us Deer Hearts 33. How We Saw Traces of Christians 34. How I Sent for the Christians 35. How the Mayor Received Us Well the Night We Arrived 36. How We Had Them Build Churches in That Land 37. What Happened When I Wanted to Leave 38. What Happened to the Others Who Went to the Indies
TOC
[2,3] / Tauba Auerbach.

"For this special project, Auerbach has created an oversized pop-up book featuring six die-cut paper sculptures that unfold into wonderfully elaborate forms. While much of Auerbach's work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each "page" opens into a beautifully constructed object, intricately conceived so that the large-scale paper works--some up to 18" tall--collapse totally flat when closed. In [2,3], the six sculptures take their cue from a range of geometric forms--the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach's previous work across a range of materials, including acrylics, etchings and C-type prints. By matching intense color to form, [2,3] causes the eye to get lost in the twists and intersections of paper and the viewer finds it difficult to envision how the pages work without animating the book in hand. Bringing together an array of interests, Auerbach has created a groundbreaking project that advances the field of pop-up technology and works as an astonishing stand-alone hybrid book/art-object. Published by Printed Matter, each folio of [2,3] measures 20" x 30" when open. The six volumes will be housed in a specially designed slipcase, and published in an edition of 1,000"--Publisher's Web site. 6 unnumbered volumes : all color illustrations ; 53 x 42 cm + colophon card

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